About our last lecture

here, you have a web where you con find interesting information about the cinematografic language, if you want to have a general idea about cinema movements of camera, cinema cut's, music and cinema... it's a really usefull thing,

http://www.xtec.es/~xripoll/llengua.htm

LIGHT, CAMERA... ACTION!!!

We have done the scripts, we have imagine the cuts, the sequences, the scenes, the whole scenary, the carachters, we also thought about the production, and from time to time with the toals that we need (camera, program edition...) everything must be ready for the next class, we ‘ll be able to start.
Actress, Illumination, sound, fotometre... everything.
LIGHT, CAMERA... ACTION!!!

john ford

when someone ask to Orson Welles whose are the 3 main directors of the history of cinema he asked "John Ford, John Ford and Jhn Ford", there's no doubt about his genious value.
"Anybody can direct a picture once they know the fundamentals. Directing is not a mystery, it’s not an art. The main thing about directing is: photograph the people’s eyes. "

- John Ford


Enjoy him.

John Huston

he is the director of the maltese falcon, if we read that we can realise that is one of the most interesting biographies that you have ever known in XXth century...
look that and we will comment next lecture:


http://www.filmaffinity.com/en/search.php?stype=director&stext=John+Huston

http://en.wikipedia.org/wiki/John_Huston

FORMACIÓ EN LLENGUATGES AUDIOVISUALS

Cinc cèntims de la formació que podem tenir pel 9 de desembre, jo he triat la primera, però si penseu diferent, feu'm-ho saber.

Vocabulari cinematogràfic.
explicació del flashback, contrapicat, raccord, encadenat... formació sobre el lèxic cinematogràfic.

L'enquadrament: el camp i el fora de camp.
Com veiem el cinema i les seves implicacions.

Planfiquem la mirada: story board.

De Chaplin a Tarantino.
conèixer el cinema clàssic ens donarà les claus per entendre el cinema actual.

Deconstruint l'espectacle cinematogràfic.
A partir d'exemples actuals com aquests, analitzarem què entra en joc a l'hora de convertir una peça cinematogràfica en un esdeveniment mediàtic tan popular com espectacular.

maltese falcon

wed 28, we watch that film, one of the masters of cinema.

ORIGINAL TITLE The Maltese Falcon
YEAR
1941
RUNNING TIME
100 min. Watch Trailers/Videos
COUNTRY
[United States]
DIRECTOR John Huston
SCREENWRITER John Huston (Novel: Dashiell Hammett)
COMPOSER Adolph Deutsch
CINEMATOGRAPHER Arthur Edeson (B&W)
CAST Humphrey Bogart, Mary Astor, Gladys George, Peter Lorre, Barton MacLane, Lee Patrick, Sydney Greenstreet, Elisha Cook Jr., Ward Bond, Walter Huston, Jerome Cowan
STUDIO/PRODUCER Warner Bros. Producer: Hal Wallis.
GENRE Film-noir
SYNOPSIS/PLOT Sam Spade is a partner in a private-eye firm who finds himself hounded by police when his partner is killed whilst tailing a man. The girl who asked him to follow the man turns out not to be who she says she is, and is really involved in something to do with the `Maltese Falcon', a gold-encrusted life-sized statue of a falcon, the only one of its kind.

Great new!!!

there are the CAC prizes. we should check that and think about our possibilities.

http://www.cac.cat/web/premis/escola/detall.jsp?OTM%3D&MQ%3D%3D&

We can try that!!!